Bach Bibliography Search Result

Author : Clementi, Muzio
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Type	List	Author	Title[further info]	Series	Vol	No	Year	Pages	Status
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	1.	Clementi, Muzio (ed.)	Second Part of Clementi's Introduction to the Art of playing on the piano forte, Being an improvement upon his Work formerly called An Appendix, containing Preludes Scale-Exercises National Airs, Variations, Two masterly Fugues of Sebastian Bach with other pleasing and instructive Pieces calculated for the greatest Improvement of the Student: The Whole Arranged and fingered by the Editor Muzio Clementi (Menb. of the Roy. Acad. of Music in Stockholm.) Op.43. - London. Published by Clementi, Collard Paris & Collard. 26 Cheapside. [1821], 125p [BWV 817/5+7, 870/2, 873/2]				1821	125p
	2.	Clementi, Muzio (ed.)	Méthode pour le Piano Forte Contenant les Elémens [sic] de la Musique, et des Leçons Préliminaires sur le Doigté, accompagnées d’Exemples, et suivies de Cinquante Leçons Doigtées par les Compositeurs les plus Célèbres, tels que Handl [sic], Corelli, Rameau, Bach, Couperin, Scarlati [sic], Haydn, Mozart, Clementi, Beethoven, Pleyel, Dussek, Cramer, etc…, Paris: Pleyel, [n.d.] 63p. [BWV 817/5, 7]				c 1805	63p
	3.	Clementi, Muzio (ed.)	Clementi's Introduction to the art of playing on the piano forte: containing the elements of music; preliminary notions on fingering, with examples; and fifty fingered lessons, in the major and minor keys mostly in use / by composers of the first rank, ancient and modern: to which are prefixed short preludes by the author. Op. 42. London: Printed by Clementi, Banger, Hyde, Collard & Davis ... , [1801]. [2], 63, [1] p. [BWV 817/5, 7]				1801	63p
	4.	Clementi, Muzio (ed.)	Einleitung in die Kunst das Pianoforte zu spielen: enthaltend die Anfangsgründe der Musik: die nöthigen Begriffe zur Fingersetzung mit Beispielen erläutert und 50 Lektionen ... nebst kurzen vorangehenden Praeludien vom Verfasser: aus dem Englischen. Wien, 1802. 71p; Leipzig: Kühnel. 71p. - Neue verb. Aufl. Leipzig: Bureau de musique von C.F. Peters. c.1813; Gera: Menzel, [c.1820] 72p. [BWV 817/5, 7]				1802	71p
	5.	Clementi, Muzio (ed.)	Clementi's selection of practical harmony: for the organ or piano forte; containing voluntaries, fugues, canons & other ingenious pieces by the most eminent composers ; Vol. 1. To which is prefixed an epitome of counterpoint by the editor. - London, Printed by Clementi, Banger, Hyde, Collard & Davis, 1801. 145p. - repr. London, Printed by Clementi, Banger, Collard, Davis & Collard, [1823] ; London: T. C. Bates, [c.1835] Pl.-Nr.: 723. [BWV 572 (p.132-137); BWV 816 (p.138-145)]	[ce]PractHarmony	1		1801	145p
	6.	Clementi, Muzio (ed.)	Clementi's selection of practical harmony: for the organ or piano forte; containing voluntaries, fugues, canons & other ingenious pieces by the most eminent composers ; Vol. 2. To which is prefixed an epitome of counterpoint by the editor. - London, Printed by Clementi, Banger, Hyde, Collard & Davis, 1802. 157p. - repr. London, Printed by Clementi, Banger, Collard, Davis & Collard, [1823] ; London: T. C. Bates, [c.1835] Pl.-Nr.: 724. [BWV 913 (p.65-73)]	[ce]PractHarmony	2		1802	157p
	7.	Clementi, Muzio (ed.)	Clementi's selection of practical harmony: for the organ or piano forte; containing voluntaries, fugues, canons & other ingenious pieces by the most eminent composers ; Vol. 3. To which is prefixed an epitome of counterpoint by the editor. - London, Printed by Clementi, Banger, Collard, Davis & Collard, [1811]. 123p. - repr. London: T. C. Bates, [c.1835] Pl.-Nr.: 725. [BWV 575 (p.55-57); BWV 944/2 (p.115-121); BWV 953 (p.122-123)]	[ce]PractHarmony	3		1811	123p
	8.	Clementi, Muzio (ed.)	Clementi's selection of practical harmony: for the organ or piano forte; containing voluntaries, fugues, canons & other ingenious pieces by the most eminent composers ; Vol. 4. To which is prefixed an epitome of counterpoint by the editor. - London, Printed by Clementi, Banger, Collard, Davis & Collard, [1815]. 121p. - repr. London: T. C. Bates, [c.1835] Pl.-Nr.: 726.	[ce]PractHarmony	4		1815	121p